The format is unusual: in one of the main halls of the conference hotel, the organizers set up large-ish monitors. Presenters bring their own laptops and, for a single morning of the conference, demonstrate their work to conference attendees as they come and go from regular panels. You don't give full-length talks, but that makes sense for many digital projects -- the open-ended format allows you to be more interactive and exploratory than is possible in a conventional conference talk.
Here are some of the exhibits that were on display at #MSA18 with my brief annotations:
Mapping Expatriate Paris. I got a chance to talk to Clifford Wulfman and Joshua Kotin from Princeton, who have been building a polished, very useful site based on Sylvia Beach's lending library records at Shakespeare & Co. bookstore. She kept the lending library records for many users. These contain books signed out but also the addresses of members of the lending library. One interesting discovery: many of the users of her lending library were actually not poor, left-bank bohemians, but members of the French upper class. (Check out this page to see a map and discussion of the left bank/right bank addresses of Shakespeare & Co. lending library patrons.)
Modernist Archives Publishing Project. I got to talk to Alice Staveley of Stanford about this project. It's an impressive archive of the output of the Hogarth Press -- its books, but also secondary materials like account books and correspondence. There was much more printed by the Hogarth Press than just Virginia Woolf and the Bloomsbury mainstays; among the many authors and texts I'd never heard of were a number of Indian authors whose works I'd like to explore. Many of the texts in this archive might be technically under copyright, but many of the authors' families have granted permission for the digital presentation of their works. I was impressed by the level of care and attention to details in this well-funded project.
Marianne Moore Digital Archive. The majority of Marianne Moore's poetry is under copyright, but this site is planning to put forward some really interesting ancillary materials, including Moore's notebooks and the Marianne Moore Newsletter, which contained sketches Marianne Moore made in her notebooks as well as analysis and rare historical-biographical engagement with the author.
Modernist Networks (Modnets). I didn't get a chance to talk to the folks doing this project in person but the goal is pretty clear -- they're aiming to be a hub for modernist studies digital humanities project and also a kind of vetting / peer-review mechanism along the lines of what we see with sites focusing on earlier periods. Currently they have 59 federated sites and links to more than 78,000 objects. (I will submit my own project to them for peer-review / federation once it's a little further along.)
Routledge Encyclopedia of Modernism / Linked Modernisms. Stephen Ross, whom I met at DHSI last year (he teaches at University of Victoria and is currently President of the MSA), is the general editor of the Routledge Encyclopedia of Modernism (a large-scale digital / subscription-based encyclopedia project). He's been taking the metadata generated by that project to produce an open (non-paywalled) resource called "Linked Modernisms." As of this morning the main link for the project seems to be broken, but you can read about the project here.
Open Modernisms. Another project from the University of Victoria. It's a collection of modernism studies syllabi. At this point just starting out, it looks like. (But I have some syllabi I want to send them... Readers, consider contributing!)
I enjoyed talking to Brandon White of UC Berkeley about his project using WordNet and NLTK to analyze the plot and evolving thematics of Faulkner's Absalom, Absalom (incest, bigamy, race/miscegenation...). I don't see a link to his Compson project online, so I don't think it's public research yet.
William S. Burroughs Digital Manuscript Project at Florida State University. Unfortunately the Burroughs archive is, for copyright reasons, largely behind a password-protected firewall. But I got to talk to Stanley Gontarski and Paul Ardoin about the project at length, and I was really impressed by the level of attention and care they have put in -- there are some really powerful tools for analyzing and comparing versions and studying Burroughs' intertextuality. In short, a really powerful resource for serious Burroughs scholars. (Anyone reading this interested in using the site should contact the site editors; they can get you a temporary password to access FSU's amazing Burroughs materials.)
Using a Visual Understanding Environment to Understand H.D.'s Networks of Influence. Celena Kusch is co-chair of the international H.D. Society. I got to talk to her about using a software package called the Visual Understanding Environment to study the social network around the writer H.D. Fascinating project and a software package I definitely want to explore a little myself, perhaps for my Kiplings project.
American WWI Poetry Digital Archive. I talked to Tim Dayton of Kansas State at length about this excellent archive of more than 400 books of American World War I poetry. This morning, unfortunately, I can't seem to find a link to the project itself anywhere. (I think this project is currently being migrated from Scalar 1 to Drupal or perhaps Scalar 2.)
My own Claude McKay project was a modest first version of a site that will eventually have more primary texts (the two Jamaican collections of poems are coming soon!) and more robust network diagrams (probably using Giphy down the road). It was gratifying to talk about the work with a number of people walking by my booth; thank you to everyone who took a few minutes to stop by and say hello. Most people seemed to get it, and saw the value of the network diagrams / thematic tagging that I and my graduate students have been doing.